in search of glory

Henri Cartier Bresson, Mexico, 1934
Henri Cartier Bresson, Mexico, 1934

It’s been said that god is in the details; the devil is too. There can be tension in revealing the obvious and intentions, despite having benevolent origins, should be read with discretion.

Finding oneself alone with language that pushes and pulls with an exactness of familiarity is why I can reread Robert Hass’s Praise, cover to cover, repetitively and with perverse discovery at each angle of detail he so eloquently and simply lays before the reader. Revelations breed epiphanies which begets clarity.

There is glory in those details.

Meditation at Lagunitas

All the new thinking is about loss.
In this it resembles all the old thinking.
The idea, for example, that each particular erases
the luminous clarity of a general idea. That the clown-
faced woodpecker probing the dead sculpted trunk
of that black birch is, by his presence,
some tragic falling off from a first world
of undivided light. Or the other notion that,
because there is in this world no one thing
to which the bramble of blackberry corresponds,
a word is elegy to what it signifies.
We talked about it late last night and in the voice
of my friend, there was a thin wire of grief, a tone
almost querulous. After a while I understood that,
talking this way, everything dissolves: justice,
pine, hair, woman, you and I. There was a woman
I made love to and I remember how, holding
her small shoulders in my hands sometimes,
I felt a violent wonder at her presence
like a thirst for salt, for my childhood river
with its island willows, silly music from the pleasure boat,
muddy place where we caught the little orange-silver fish
called pumpkinseed. It hardly had to do with her.
Longing, we say, because desire is full
of endless distances. I must have been the same to her.
But I remember so much, the way her hands dismantled bread,
the thing her father said that hurt her, what
she dreamed. There are moments when the body is as numinous
as words, days that are the good flesh continuing.
Such tenderness, those afternoons and evenings,
saying blackberry, blackberry, blackberry.

Santa Lucia

IV

Santa Lucia: eyes jellied on a plate.
The thrust of serpentine was almost green
all through the mountains where the rock cropped out.
I liked sundowns, dusks smelling of madrone,
the wildflowers, which were not beautiful,
fierce little wills rooting in the yellow
grass year after year, thirst in the roots,
mineral. They have intelligence
of hunger. Poppies lean to the morning sun,
lupine grows thick in the rockface, self-heal
at creekside. He wants to fuck. Sweet word.
All suction. I want less. Not that I fear
the huge dark of sex, the sharp sweet light,
light if it were water raveling, rancor,
tenderness like rain. What I want happens
not when the deer freezes in the shade
and looks at you and you hold very still
and meet her graze but in the moment after
when she flicks her ears & starts to feed again.

-Ginger Hintz, Blog Editor

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