These pieces, wherein I use pillow forms as stand-ins for my own physicality are simultaneously a matter of conspicuous consumption and transformation.
The duality suggested by the pillow form allows for multiple suggestions and meanings, from seduction and comfort, to bulbous grotesquerie. These forms though sloppy, sidle up to sensuality. In this, they investigate ideas of expectation and perfection; posture and performance; and, language and lexicon.
Because who wants a tiny, hard pillow?